Document Type

Article

Publication Date

5-2009

Abstract

The author reports on and analyzes the inclusion of parody in her sequence of assignments for a graduate composition theory seminar. She contends that having students write parodies of particular theorists and theoretical camps enables them to gain critical leverage that they might not otherwise obtain on a field (in this case, composition studies).

Comments

Copyright © 2009 by the National Council of Teachers of English.

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