Submissions from 2022
Burnt Out on Writing?: 5 Tips for a Productive Break, Erin Flanagan
How to Pivot from Writing Short Stories to Novels, Erin Flanagan
Justice, One Way or Another: An Interview with Meredith Doench on "Whereabouts Unknown", Erin Flanagan
Review of Joanna Pearson’s Now You Know It All, Erin Flanagan
Why Are Women So Often the Butt of the Joke, Erin Flanagan
Shapeshifting Subjects: Gloria Anzaldúa’s Naguala and Border Arte, Kelli D. Zaytoun
Writing Life Beyond the Humanist Subject in The Hour of the Star and A Breath of Life, Kelli D. Zaytoun
Submissions from 2021
How to Channel Your Anxieties: A Conversation with Becky Hagenston, Erin Flanagan
I Found my Literary Community by Writing Book Reviews, Erin Flanagan
Motherhood is a Bitch: Review of Rachel Yoder’s Nightbitch, Erin Flanagan
Oddities and Pleasures: An Interview with Rick Bailey, Erin Flanagan
Review of Ellen Birkett Morris’s Lost Girls, Erin Flanagan
Romance Novels for Hot-Everybody Summer: on the Diversity of an Often Disparaged Genre, Erin Flanagan
Want to Write Book Reviews? Some Helpful Questions to Get You Started, Erin Flanagan
Submissions from 2020
May We Do Work that Matters, Vale la Pena: Putting Community Coyolxauhqui Together and the Anzaldúa Seminar., Dylan Colvin, Christina Puntasecca, and Kelli D. Zaytoun
Hold Steady, Erin Flanagan
Review of Carol Ann Davis’s The Nail in the Tree: Essays on Art, Violence, and Childhood, Erin Flanagan
Review of Colette Sartor’s Once Removed, Kate Wisel’s Driving in Cars with Homeless Men, and Ashley Wurzbacher’s Happy Like This,, Erin Flanagan
Review of Nicolette Polek’s Imaginary Museums, Erin Flanagan
Tell Me Why It Matters, Erin Flanagan
What Goes in a Suitcase, Erin Flanagan
Submissions from 2019
Emergency, Erin Flanagan
Paying Customers Only, Erin Flanagan
Review of Ron A. Austin’s Avery Colt Is a Snake, a Thief, a Liar, Erin Flanagan
An Academic Imposter from the Working-Class: Emotional Labor and First-Generation College Students, Nancy Mack
A Focus on Relational and Narrative Aspects of Trauma: Challenges and Opportunities for Higher Education, Kelli D. Zaytoun
A Focus on the "I" in the "I→We": Considering the Lived Experience of Self-in-Coalition in Active Subjectivity, Kelli D. Zaytoun
Submissions from 2018
Moments of Connections: An Interview with Augustus Rose, Erin Flanagan
Review of Jamel Brinkley’s A Lucky Man, Erin Flanagan
The Politics of English Second Language Writing Assessment in Global Contexts, Todd Ruecker and Deborah J. Crusan
World House Choir And Friends To Perform Ohio Premiere of 'The Man Behind The Dream', David Seitz
Submissions from 2017
Filling in the Blanks: Addressing Teacher Underpreparedness in L2 Writing, Gena Bennett and Deborah J. Crusan
The 5 Myths of the 5-Paragraph Essay, Nigel Caplan, Deborah J. Crusan, Dana Ferris, Ann Johns, Luciana deOliviera, and Christina Ortmeier-Hooper
All Teachers are Language Teachers: How Language Acquisition and Writing Assessment Affect Student Success, Deborah J. Crusan
Classroom Writing Assessment, Deborah J. Crusan
Fake It 'til You Make It: The Imposter Syndrome - The Dilemma of (Women) Academics, Deborah J. Crusan
The Dark Side of Rubrics and Writing Assignments: Creating Those That Work, Deborah J. Crusan
Writing Assessment: Do we Practice What we Preach?, Deborah J. Crusan
Pressed for Time: Strategies for Writing for Publication, Deborah J. Crusan, Christine P. Casanave, Suhanthie Motha, and Stephanie Vandrick
Assisted Living, Erin Flanagan
Genuine and True: An Interview with Melissa Fraterrigo, Erin Flanagan
Emotional Labor as Imposters: Working-Class Literacy Narratives and Academic Identities, Nancy Mack
In the club: Associational life in colonial South Asia, by Benjamin B. Cohen (review), Christopher Oldstone-Moore
Building Assessment Into Everyday Activities, Diane Schmitt and Deborah J. Crusan
From Nawab to Jihadi: The Transformation of Muslim Identity in Popular Indian Cinema, Alpana Sharma
Submissions from 2016
All Teachers are Language Teachers: Language Acquisition, Writing Assessment, and Their Effects on Student Success in Writing, Deborah J. Crusan
Language Matters: Empowering Teachers (and Learners) Through Language Acquisition and Writing Assessment Knowledge, Deborah J. Crusan
Writing Assessment Literacy: What Teachers Need to Know, Deborah J. Crusan
Writing Groups and Collaborations: Strategies for Writing for Publication, Deborah J. Crusan, Christine P. Casanave, Suhanthie Motha, and Stephanie Vandrick
Writing Assessment Literacy: Surveying Second Language Teachers' Knowledge, Beliefs, and Practices, Deborah J. Crusan, Lai Plakans, and Atta Gebril
Classroom Assessment in English Language Teaching: Placement and Diagnosis, Deborah J. Crusan and Diane Schmitt
Review of Amina Gautier’s The Loss of All Lost Things, Erin Flanagan
Review of Amy Gustine’s You Should Pity Us Instead, Erin Flanagan
Review of Sara Majka’s Cities I’ve Never Lived In, Erin Flanagan
The Likelihood of the Worst Outcome, Erin Flanagan
The Rule of Threes, Erin Flanagan
Filling the Gap: L2 Grammar and Assessment Preparation for ELA Teachers, J. Haught and Deborah J. Crusan
Working with Anzaldúa's Writing Notas: An Archival Experiment in Three Parts, AnaLouise Keating, Kelli D. Zaytoun, and Betsy Dahms
Luke Fildes's The Doctor, Narrative Painting, and the Selfless Professional Ideal, Barry Milligan
Strategies for Classroom Assessment at Different Proficiency Levels, Diane Schmitt, Deborah J. Crusan, and Lia Plakans
How Ohio Became An Epicenter for A Capella, David Seitz
Wright State University to Explore Baseball, Jazz in Sultans of Swing Conference, David Seitz
‘Sometimes in America Race Is Class’: The Erasure of Class under Race in Chimamanda Ngozi Adichie's Americanah, Alpana Sharma
Resistance as Shapeshifter: A Posthumanist Reading of Subjectivity and Death in the Fiction of Gloria Anzaldúa and Clarice Lispector, Kelli D. Zaytoun
Sisterhood in Movement: Feminist Solidarity in France and the United States, Kelli D. Zaytoun and Judith Ezekiel
Submissions from 2015
Clarifying the Relationship between L2 Writing and Translingual Writing: An Open Letter to Writing Studies Editors and Organization Leaders, Dwight Atkinson, Deborah J. Crusan, Paul Kei Matsuda, Christina Ortmeier-Hooper, Todd Ruecker, Steve Simpson, and Christine Tardy
And then a Miracle Occurs: The use of Computers to Score Student Writing, Deborah J. Crusan
Dance, Ten; Looks, Three: Why Rubrics Matter, Deborah J. Crusan
Automated Writing Evaluation: When is it Right for Your Students?, Deborah J. Crusan, Dianna Lippincott, Zhi Li, and Li Zhang
A Better Mousetrap, Erin Flanagan
Interview, Stealing Breath: An Interview with Bryn Chancellor, Erin Flanagan
Review of Becky Adnot-Haynes’s The Year of Perfect Happiness, Erin Flanagan
Review of Charles Baxter’s There's Something I Want You to Do, Erin Flanagan
Review of Karin Lin-Greenberg’s Faulty Predictions, Erin Flanagan
Review of Kelly Link’s Get in Trouble, Erin Flanagan
Review of Megan Mayhew Bergman’s Almost Famous Women, Erin Flanagan
Review of Sarah Hepola’s Blackout: Remembering the Things I Drank to Forget, Erin Flanagan
The Baby, Erin Flanagan
The Days of Eggs, Erin Flanagan
Involuntary Settlers, Voluntary Colonials: The Contingent Nature of Subaltern Freedoms in the Caribbean, Shona N. Jackson
Labour, Solidarity, and Death: The Enunciative Freedoms of Involuntary Settler Politics, Shona N. Jackson
Nostalgia, Hope Jennings
The Editing of American Literature, 1890–1930: Essays and Reviews by Donald Pizer (review), Carol Loranger
The Outcast Poetics of Paul Laurence Dunbar and Edwin Arlington Robinson, Carol Loranger
Engaging Writers with Multigenre Research Projects: A Teachers Guide, Nancy Mack
Opium and the Orient: The Alien Within Us, Barry Milligan
Miami Valley StoryCorps: Robert Peterson and Karen Rosga, David Seitz
Afghanistan, Alpana Sharma
Cinematic Representation of Muslims in Indian Cinema, Alpana Sharma
From Here to There, Alpana Sharma
Strategies for Countering Discourses of Deficit in L2 Writing, Christine Tardy, Deborah J. Crusan, Grant Eckstein, Dana Ferris, Todd Ruecker, and Jennifer Slinkard
“Now Let Us Shift” the Subject: Tracing the Path and Posthumanist Implications of La Naguala / The Shapeshifter in the Works of Gloria Anzaldúa, Kelli D. Zaytoun
Submissions from 2014
Fake It 'Til You Make It: The Imposter Syndrome--the Dilemma of (Women) Academic, Deborah J. Crusan
Placement Testing, Deborah J. Crusan
Tanslingual Pedagogy and Writing Assessment: A Harmonious Union, Deborah J. Crusan
Crack of the Fruit, Erin Flanagan
Review of Anne Valente’s By Light We Knew Our Names, Erin Flanagan
Review of Jonathan Blum’s Last Word, Erin Flanagan
Review of Ladette Randolph’s Leaving the Pink House, Erin Flanagan
Humanity beyond the Regime of Labor: Antiblackness, Indigeneity, and the Legacies of Colonialism in the Caribbean, Shona N. Jackson
