Abstract
Pitsor explores the possibility that Holbein’s late-stage change in the composition of the portrait from a three-quarter view of Henry to a frontal view held a motive to present Henry as the head of the newly established Church of England and as equal to the pope, and possibly to Christ himself.
Recommended Citation
Pitsor, A.
(2024).
Hans Holbein's Portrait of Henry VIII: England's Own Personal Jesus,
Best Integrated Writing, 6
(2).
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