Abstract
This review analyzes the Stratford Festival’s 2026 production of Shakespeare’s The Tempest, directed by Antoni Cimolino, and argues that the production minimizes the play’s political and colonial themes. The article examines how specific production choices, including Caliban’s costume design, the comic treatment of Stephano and Trinculo, and Prospero’s final interaction with Ariel, obscure questions of power and colonization. Through detailed analysis of staging, characterization, and directorial decisions, the review evaluates the consequences of presenting Shakespeare’s play as a story of personal forgiveness rather than political conflict. It interrogates this erasure of colonial power struggles within the framework of the Stratford Festival's stated commitment to decolonization.
Recommended Citation
Meyer, A.
(2026).
Sanitized for Public Viewing: Review of William Shakespeare’s The Tempest,
Best Integrated Writing, 8
(2).
Included in
Dramatic Literature, Criticism and Theory Commons, Literature in English, British Isles Commons, Performance Studies Commons