Submissions from 2022
Musings on the Grand Mosques of Djenné and Bobo-Dioulasso, the Cathedral of Notre Dame, and Western Bias, Sally A. Struthers Ph.D.
Submissions from 2018
Western Bias in Art, Sally A. Struthers
Women Photographers in History, Sally A. Struthers
Submissions from 2016
Inter-War Czech Women's Magazines: Constructing Gender, Consumer Culture and Identity in Central Europe, Karla Huebner
The Czech 1930s through Toyen, Karla Huebner
Submissions from 2014
Review of Art and Life in Modernist Prague: Karel Čapek and his Generation, 1911-1938, Karla Huebner
Submissions from 2013
In Pursuit of Toyen: Feminist Biography in an Art-Historical Context, Karla Huebner
Submissions from 2011
Girl, Trampka, nebo Žába? The Czechoslovak New Woman, Karla Huebner
Adjunct Faculty Certification 101: Introduction to Teaching and Learning, Kent Zimmerman and Sally A. Struthers
Submissions from 2010
Fire Smoulders in the Veins: Toyen's Queer Desire and Its Roots in Prague Surrealism, Karla Huebner
The Whole World Revolves Around It: Sex Education and Sex Reform in First Republic Czech Print Media, Karla Huebner
Art History in the Virtual Classroom: Developing a Visually Engaging Online Learning Experience, Kelly Joslin and Sally A. Struthers
Submissions from 2009
Baccalaureate and Associate Degree Relationships Panel, Stephen Black, Charles Grieb, Sally A. Struthers, and Sally Paronson
Artistic Expression and Free Speech, Will South and Sally A. Struthers Ph.D.
Submissions from 2006
Coptic Textiles, Sally A. Struthers
Crossroads of Culture, Sally A. Struthers
Hexagonal Jug with Christian Symbols, Sally A. Struthers
Introduction - The Roman World: Religions and Everyday Life Exhibit, Sally A. Struthers
Mithras Slaying the Bull, Sally A. Struthers
Reliquary Shrine, Sally A. Struthers
Roman Coinage, Sally A. Struthers
Roman Glass, Sally A. Struthers
Roman Jewelry, Sally A. Struthers
Sarcophagus, Sally A. Struthers
Torso of Aphrodite, Sally A. Struthers
Submissions from 2004
Greek Poet Sappho Dies, Sally A. Struthers
Submissions from 2003
The Sanctuary Rhyton, Karla Huebner
Submissions from 2002
Donatello’s David: The Putti Speak, Sally A. Struthers
Creative Approaches to Enhance Student Learning, Teaming, and Collaboration, Sally A. Struthers, Ned Young, and Gary Mitchner
Submissions from 2000
Women in Documentary Photography, Ronald R. Geibert and Nancy Howell-Koehler
Antonia the Elder, Sally A. Struthers
Antonia the Younger, Sally A. Struthers
Callicrates, Sally A. Struthers
Crete, Sally A. Struthers
Oh, What a Tangled Web: Three Designs for Web-Based Courses, Sally A. Struthers and Ned Young
Submissions from 1997
Male Nudes by Women: An Anthology (Review), Karla Huebner
The Invention of Pornography: Obscenity and the Origins of Modernity, 1500-1800 (Review), Karla Huebner
Submissions from 1996
New Zealand Women Artists: A Survey of 150 Years by Anne Kirker (Review), Karla Huebner
Sight Lines: Women's Art and Feminist Perspectives in Australia by Sandy Kirby (Review), Karla Huebner
Surrealism in Exile and the Beginning of the New York School by Martica Sawin (Review), Karla Huebner
Animal Symbolism and the Seven Deadly Sins in the Art of Hieronymus Bosch, Sally A. Struthers
The Seven Deadly Sins of Hieronymus Bosch, Sally A. Struthers
Submissions from 1995
A Natural History of Love by Diane Ackerman (Review), Karla Huebner
The Voices of Women Artists by Wendy Slatkin (Review), Karla Huebner
Scientific Aspects of Leonardo da Vinci's Drawings: An Interdisciplinary Model, Sally A. Struthers
Submissions from 1992
Donatello's Putti : Their Genesis, Importance, and Influence on Quattrocento Sculpture and Painting, Sally A. Struthers
